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You are here: Home / Archives for pianist

Pianist Tiffany Poon meets Fans in NYC

Sunday, August 19th, 2018 by Ken Leave a Comment

Tiffany and Ken in Central Park

Tiffany Poon with Ken Turner in Central Park, NYC

Tiffany Poon on Social Media

Tiffany Poon is an aspiring young classical pianist whose YouTube channel has over 64,000 subscribers at the time of writing.

Tiffany is also active on Instagram as tiffanypianist.

Tiffany’s Mission

While many pianists are active on social media, few define their goals as clearly as Tiffany Poon. On her personal web site she states that her goal is “to inspire all generations, the old and the new, to appreciate classical music using social media”.

What Fans Want

In another social forum, Tiffany Poon told her supporters that she wants “to break the boundaries and take you with me inside the world of a classical pianist“.

This is exactly what fans like myself want from a pianist like Tiffany. For us she is already a star, because she has many formal performances on YouTube and she’s really good. If you heard her play, you would never guess that she is only about 20 years old.

It’s Personal

I have exchanged pleasantries with top rank pianists at CD signings. Some are generous of spirit, but at root it’s impersonal. That’s not to say that Khatia Buniatishvili or Yevgeny Kissin don’t appreciate their fans, but we must all be one big blur to them when they are on tour.

In contrast, an emerging pianist like Tiffany is actively building her fan base. Having studied music at Julliard and now at Yale. she is on track to an elite career. Social media engagement can be a competitive advantage, and she works hard on her vlogs (video blogs) to engage us.

When Ms. Poon made the gutsy decision to meet fans personally in New York, it was not to be missed. Around 25 of us made it to Central Park in the stickiest heat of August to meet her at Bethesda Fountain.

Tiffany’s Vlog

Tiffany Poon’s YouTube channel contains her vlog, filmed and edited by the pianist herself. She also does livestreams. These videos are uniquely Tiffany: well-presented, chatty, unpretentious and informative. She is a natural in front of the camera, talking to us as if we were friends sitting across from her at a coffee table.

Among my favorite vlogs is Mix – Can You Hear the Difference Between Before & After Piano Tuning? | Tiffany Vlogs #21. during which Tiffany and her viewers learn some neat stuff about piano tuning.

We have also been with Tiffany in practice rooms at Julliard, commuting to school in New York, eating out with her parents, in a supermarket, in a dining hall, and even on her one-way road trip from New York to Yale.

Meeting Tiffany

When I found Tiffany in Central Park, she looked as cool and presentable as in her vlogs, despite the humidity. She recognized me instantly (goodie points!) and chatted individually with everyone who came to meet her. We were a diverse group of all ages (but predominantly young) from all over the world, many of whom seemed quite awed to be in her presence.

Tiffany herself was uncharacteristically at a loss for words. Neither she nor any of us had thought about what we would do once we got together! There was no piano to fill gaps in conversation, no edit function to cut out awkward moments, no beer to cool us down and loosen us up. This was a real life experience that Tiffany had initiated, a bridge between performer and audience. We hung out with her until thunderclaps chased us out of Central Park.

It was almost sad that nobody at the fountain other than us knew that a leading pianist of the Post-Millenial generation was present that evening. I think again of Tiffany’s ambitious mission and how important it is in this age, when a Chopin Etude on your media device may be referred to as a “song”.

 

 

 

 

 

Filed Under: Pianists, Piano Blog Tagged With: Bethesda Fountain, Central Park, Khatia Buniatishvili, pianist, Tiffany Poon, yevgeny Kissin

Pianist Han Chen Returns to Central Park West

Saturday, August 11th, 2018 by Ken Leave a Comment

Han Chen

Han Chen playing Thomas Adès

On August 10th, 2018 Robin Shoemaker once again hosted pianist Han Chen at his Central Park West salon.

Mr. Chen’s program consisted of his repertoire for an upcoming competition in Calgary, Canada.

Han Chen thanked Robin and guests for the opportunity to play these works before a live audience. He explained that this is an essential part of how a pianist prepares.

Schubert: Piano Sonata No. 19 in C Minor D. 958

From the semi-religious grandeur of the opening chords to the manic gallop of the last movement, Han Chen played Schubert’s Sonata with a driven energy that captivated his listeners. At times the rhythm of the piano was reflected in audience motion, as if people were feeling an urge to get up and dance.

On a sticky New York evening the keyboard can get slippery. A couple of times Mr. Chen had to dry his fingertips. He did this in the blink of an eye, with an arm gesture that looked like pianistic panache. If I had not been seated up front, I would have perceived it as Lang Lang style swagger.

Thomas Adès: Concert Paraphrase on Powder Her Face

Chen immersed himself in this contemporary work with conviction. He was fun to watch because his style is very expressive, but I did not understand Concert Paraphrase on Powder Her Face. Its erratic rhythms and pauses, drifting harmonies and apparent lack of melody left me feeling confused.

I reached out to Mr. Chen after the recital for insight. He explained that the work arose from an Adès opera, and talked about the appeal of the technical challenges of the work.

Franz Liszt: Reminiscences de Don Juan

Host Robin with pianist Han Chen

Under Han Chen’s hands, this demanding work was entertaining and impressive. You can watch him perform it at the Rubenstein Competition (2017) on YouTube at CHEN Han | F. Liszt – Réminiscences of Don Juan, S. 418, Stage I.

On this evening at Central Park West he rose to the challenge literally, rising from the piano bench to put more emphasis into key moments. At one point he even seemed to snarl at the piano.

[encore] Glinka arr Liszt: Chernomor’s March from Ruslan and Lyudmila

I was surprised that Mr. Chen gave an encore after playing his full program with no break. This short and punchy work was a pleasant bonus, at times reminiscent of Mussorgsky.

Han Chen and the Honens Piano Competition

I first saw Han Chen play at Robin’s home in 2017. It was a remarkable event that you can read about in my post Pianist Han Chen at Central Park West. Han went on to reach the semi-finals of the 2017 Van Cliburn Piano Competition.

It was our great pleasure to be Han’s audience for this dry run for the 2018 Honens Piano Competition. His selection showcases his enormous power and virtuosity, affording him moments of triumph reminiscent of Lang Lang. He will do well at this competition.

And Yet

And yet, the moments I personally liked most came during the Schubert Sonata, where Han’s keyboard alternately bubbled with joi-de-vivre and gleamed with serenity. If it is for young pianists like Han Chen to challenge us with new music such as Thomas Adès, it is for those of us at the other end of life’s spectrum to encourage Mr. Chen to share more of his reflective side.

 

 

 

Filed Under: Concerts, Private Concerts Tagged With: Central Park West, Glinka, Han Chen, Honens Piano Competition, Liszt, New York, pianist, piano, piano sonata, Robin Shoemaker, Schubert, Thomas Adès, Van Cliburn

Kissin at Carnegie Hall May 2018

Monday, May 21st, 2018 by Ken Leave a Comment

Kissin taking bows Carnegie NYC May 2018

Kissin at Carnegie May 2018

On Sunday May 20th, 2018 we had the great fortune to see Evgeny Kissin perform at Carnegie Hall.

The main course was the great Beethoven Hammerklavier (Sonata no. 29 Op. 106), and for dessert there was a hearty serving of Rachmaninov Preludes.

Beethoven’s Sonata No 29 (Hammerklavier)

The Hammerklavier can be a difficult listen. When Yuja Wang played it at Carnegie in 2016, I felt like I had over-eaten. But under Kissin’s hands on this Sunday afternoon in New York, the edgy tapestry of disparate voices came together as a thing of great beauty.

There was none of the overblown rubato that I have called Kissin out for in the past. Nor was this performance at all ascetic. Everything about his Hammerklavier was in perfect balance, leaving the audience in awe. I felt that we were in the presence of greatness.

Selected Preludes (Rachmaninov)

The program contained some 10 Rachmaninov preludes. You can’t go wrong with Kissin and Rachmaninov, in my opinion. Among my favorites was Opus 23 no 2 in B flat major. As to Opus 32 no. 10 in B minor, I felt that his tempo was so slow as to be risky, but it worked.

Kissin’s Encores

Kissin's autograph on my CD

Kissin signed his CD for me

I like that Kissin announces his encores. Without this I would have not known the Scriabin or his own original composition. Rachmaninov’s C sharp minor prelude, however, needed no introduction. Here Kissin’s excellent YouTube recording.

I missed the last two encores because I stepped out early to get in line for the artist’s post-recital CD signing. There were far too many people in line for selfies, which was just as well after the marathon performance by Mr. Kissin. I was happy just to have my little piece of greatness to take home.

 

 

Filed Under: Concerts, Public concerts Tagged With: Beethoven, Carnegie Hall, Evgeny Kissin, Kissin, pianist, Rachmaninov

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